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复合思维:佛教与美学在思维形态上的共相

Compound Thought:the Similarities between Buddhism and Aesthetics in Thinking Form
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摘要 由于都重直觉 ,佛教思维与审美 -艺术思维都具有复合思维的特征。其主要形态有宏观与微观的复合 ,情感与理性的复合 ,运动与静止的复合 ,时间与空间的复合等 ,其中最基本的形态是时间与空间的复合。思维形态上的共相使佛教与美学建立了亲和关系 ,并能克服自身作为宗教的偏执而推进审美活动的发展。但二元复合只是便于思辨和分析的基本形态 ,实际上 。 Both emphasizing the gnosis,Buddhism thought and aesthetic-art thought have the similarity in characteristics of compound thought,which includes the fundamenta l forms are the compounds of macroscopy and microcosmos,emotion and sense,movement and quiescence,time and space,etc.Among them, the most basic fo rm is the comp ound of time and space.The similarity inthinking form not only promotes a close relationship between the Buddhism and aesthetics,but also enables Buddhism to o vercome its crankiness as a religion,improving the development of aesthetic acti vities.However,as dualistic compound is only a fundamental form propitious to th ink and analyze,actually,the compound thoughts of Buddhism and aesthetics are mo stly pluralistic amalgamation.
作者 詹志和
出处 《中国文学研究》 北大核心 2003年第4期8-13,共6页 Research of Chinese Literature
关键词 佛教 美学 思维形态 复合思维 共相 时空复合 直觉 二元复合 情理交融 审美思维 Buddhismaestheticscompound thoughtscompound of time and spacethe gnosis
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  • 1朱光潜.诗论[M]上海古籍出版社,2001.

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