摘要
村上春树讲究叙事的策略 ,从他的代表作《青春的舞步》可窥见其一斑 :他通常采用第一人称内视角 ,他重视使叙述视角平易化 ,以期拉近与读者的距离 ,更重视叙述视角的“陌生化” ,与读者保持一定的心理距离 ,调动读者积极参与文本的再创作 ;他对情节结构的安排上突破了传统故事模式 ,突破了传统小说的线性结构 ,虚实相生 ,张弛有致 ,符合青年读者的心理结构。总之村上春树注重将日本传统叙事方法与西方现代的叙事手法相糅合 ,创造出了“陌生化”
From his representative 'Dancing Step of Youth ', the narrative tactics of Harukimurakami can be seen:he often uses inner visual a ngle of the first person,pays attention to easiness of narrative visual angle in order to draw distance close between readers and writer and pays more attention to 'strangeness' of narrative visual angle so as to keep some psychological distance with readers,generates readers to attend recreation of tests;he makes b reakthrough for traditional story model in plot arrangement and takes a breakthr ough in linear structure of traditional novels,combining the false with the true and making tension and relaxation identical which are suited for the psychologi cal structure of young people.In a word,he pays attention to combining Japans traditional narrative methods with modern narrative tactics of the West in order to create artist effects of 'strangeness'.
出处
《山西高等学校社会科学学报》
2003年第7期116-119,共4页
Social Sciences Journal of Universities in Shanxi
关键词
村上春树
《青春的舞步》
叙事策略
叙述视角
情节结构
Harukimurakami
'Dancing Steep of Youth'
narrativ e tactis
visual angle of narration
plot and structure