《艺术作品的本源》解读——海德格尔艺术本质观初探

Reading of Das Ursprung des Kunstwerkes

《艺术作品的本源》是海德格尔的诗学名作,它以"存在者在其存在中成其本质"的存在主义立场、以"回到事情本身"和"直接呈现"的现象学方法,围绕"存在之真理",在对"艺术的存在"的追问中,将"艺术的本质"界定为通过"世界与大地的原始争执"的"裂隙"的"构形"所实现的"真理之自行置入作品"。艺术乃"真理之生成与保存",是真理之创建、发生和进入存在的突出方式。

In an exploration of 'existence of art' centering on 'truth of existence',Das Ursprung des Kunstwerkes, a masterpiece of Heidegger's poetics, defines'the nature of art' as a realization of 'selfplanting of truth into artistic works' of 'original conflict between world and earth', in an existentialist position of 'essence of existence manifesting itself in existence', and by a phenomenological method of 'return to the thing itself' and a 'direct exposure'.Therefore , art is 'a generation and preservation of truth' and a remarkable way of the establishment, emergence and coming into existence of truth.