摘要
在经学林立与官方经学式微的双重背景下 ,王逸超拔于家派之外 ,以审美的眼光进行楚辞创作和批评 ,极大地发扬了楚辞的抒情传统 ,为汉末文学抒情性的全面复归起到了积极作用。
Under the background of various schools of the study of Confucian classics and the declination of the official study of Confucian classics,Wang Yi was not being any school,created and criticized Poetry of the South in a aesthetic light,and played the important role in the resuscitation of the literary lyricism in the evening of Eastern Han.
出处
《中国文学研究》
北大核心
2004年第1期49-54,共6页
Research of Chinese Literature