从吴中唱和看皮陆诗派在唐宋诗史中的地位

A study on its position of the poet-school of Pi-Lu in history of poetry of theTang-Song period from their changhe poems in Central Wu

皮陆诗派是唐末吴中地区出现的一个以皮日休、陆龟蒙为主体 ,由下层士人组成的地区唱和群体 ,诗派成员过人的才气、共同的闲人身份和达观自适的人生观孕育了尚才自娱的诗歌创作观 ,诗派成员在此创作观下表现出来的以文为诗、以学问为诗的创作倾向在从杜甫、韩愈的“以文为诗’到宋人的“以文字为诗 ,以议论为诗 ,以才学为诗”的漫长演变过程中处于承上启下的关捩地位 ,而诗派尚才自娱的创作思想以及唱和中自娱自戏的种种表现实际上也已成为宋诗娱乐化倾向的前奏 ,吴中唱和并形成了诗派成员独特的艺术风格。

This article probes into the views of advocating literary talent and seeking amusement from poem-writing of the poet-school of Pi-Lu, also explores its creations of writing poems with the means of writing proses and making use of writing poems to show off leaning, thus the author reveals its position in history of poetry of the Tang-Song period.