凤凰与夜莺:中英浪漫主义情感美学思想比较

A Comparative Study of Chinese and English Aesthetics of Feeling

19世纪初以华兹华斯为代表的英国浪漫主义文学与20世纪初以郭沫若为代表的创造社浪漫主义文学，作为对过去传统的反叛，都极力张扬情感在文学中的地位和作用，因而其文学形式表现出某些相似之处。然而，它们又是两种不同文化语境中的文学，不同的文化内涵使之表现出不同的情感关学思想，促使它们走上了两种不同的文学发展道路。本文对中英浪漫主义作家对文学本体的认识、对作家创作想象的阐释、对美的不同体认、对文学的社会作用的看法以及他们的创作实践等问题进行讨论，以此探讨情感在文学中的作用。

Since the importance of feeling in literature is emphasized both by English Romantic literature represented by Wordsworth and some other Romantic writers at the beginning of 19 th century and by Chinese Romantic literature represented by Guo Moruo and some other “Creation Society” writers at the beginning of 20 th century, they show some similarities; nevertheless, they are different in their historical background, their aesthetics and their way of literature. This paper tries to make a comparative study of their conceptions of feeling, imagination, beauty and of the social function literature so as to see clearly the real differences between these two literatures.