“风清骨峻”的审美理想及其全面实现

Liu Xie's "Lucid and Vigorous Style of Writing": An Aesthetic Ideal and Its All-Round Realization

刘勰的"风清骨峻"理论无论在《文心雕龙》体系中,还是在中国文论史、美学史上,均占有重要的地位。"风清骨峻"的审美理想不仅涵盖了阳刚之美,也包容着阴柔之美,是阳刚和阴柔有机融会共同形成的美学境界。这种美学理想的文学实现不是在素有"建安风骨"之称的建安时期,而是在盛唐时期才得以全面实现。

Liu Xie's 'lucid and vigorous style of writing' theory occupies an important position both in his 'The Literary Mind and the Carving of the Dragon' system and in China's history of literary criticism and history of aesthetics. Such an aesthetic ideal attained a lofty realm of aesthetics combining the beauty of manly virility with that of femine tenderness, and it did not be realized in an all-round way in the Jian'an literary period, but in the flourishing Tang Dynasty.