摘要
意象是汉代之后逐渐形成的一个审美范畴 ,王充较早提出这一概念。王弼探讨了意象的创造过程 ,将其看做是意和象的统一。“立象”是意象创造中的核心问题 ,自然涉及艺术思维。“立象”的过程是比兴思维的过程 ,无论是选择物象还是心理创造都离不开比兴思维。在比兴思维的调和下 ,意象才能真正地发挥审美作用。“兴象”从基元上讲就是一种审美意象 ,但它不是普通的意象 ,而是一种言有尽而意无穷 ,且具有刚健壮大情思的审美意象。
The suggestive image is an aesthetical category that formed H an dynasty.Wang chong named it at first.Wang Bi studied the process that sugges t ive image used.He thought that it was unity of idea and image.Create image is a c ode problem in creating suggestive image.It takes about artistic thinking,and it self is Bixing thinking.The suggestive image has aesthetieal value depend on Bix ing thinking.'Xingxiang'is an aesthetical suggestive image radically,but,it is not a normal suggestive image,it is an aesthetical suggestive image that has in teresting and strange emotion and idea.The aesthetical suggestive image is the i mage out surface image.
出处
《韶关学院学报》
2003年第7期8-14,共7页
Journal of Shaoguan University
关键词
比兴思维
意象
立象
兴象
象外之象
Bixing thinking
suggestive image
create image
Xingxiang
the image of surface image