摘要
对“情”加以限定并拉通情、志、意之间的关系 ,是中国抒情理论本原性探讨的核心问题。“诗言志”虽是古典抒情论的滥觞 ,但“二乐”、《诗大序》以及孔颖达对于志、意、情三个范畴的协调 ,才使汤显祖不着痕迹地将“言志”说转换为“言情”说。
It is a core question of the principle research on China lyric theory that limits the meaning of affection and links up the connection with Zhi and Yi Though'Shi-YanZhi'is the beginning of the classical lyric theory,the threefold studies of'Two works about Music','Shi-YanZhi'and Kong-Yingda's coordination of Zhi,Yi and affection enlighten Tang-Xianzu to change the theory of'Expressing ZHI'into theory of'expressing Affection'.
出处
《中国文学研究》
北大核心
2003年第3期13-17,共5页
Research of Chinese Literature