摘要
在北齐、北周及隋代,王室、贵族以及文人阶层高涨的歌诗艺术消费需求,直接促进了歌诗艺术的全面发展。胡人艺术家受到了大众的普遍欢迎,胡乐则以其强劲的活力左右着歌诗艺术消费市场,入隋以后,南北艺人共同完成了华夏正声和胡夷之乐的融汇,开创出歌诗艺术发展的新局面,不仅使歌诗艺术的创作与消费呈现出前所未有的盛况,也构成了唐代歌诗发展兴盛的一个新起点。
During Bei-Qi, Bei-Zhou and Sui dynasties, the need for art appreciation on the part of the royalty, aristocracy and upper-class scholars directly promoted the all-around evelopment of Song poetry(poems for singing). Art from the north became very popular among the masses,while the music of north minority also became dominant in the market by way of its strong emotion and energy .By the Sui Dynasty ,musicians from the north and south succeeded in combing the sounds of the central China with the music from the northeast, and broke new ground for the development of this art. could develop .Not only did this create a time of never-before-seen prosperity in the fields of song poetry but also provided a starting point for the later blossoming of Tang Dynasty song poetry.
出处
《齐鲁学刊》
北大核心
2004年第1期5-8,共4页
Qilu Journal
基金
本文系国家社科基金项目<从诗三百到元曲的歌诗艺术生产史研究>(项目编号:98BZW006)的阶段性成果。
关键词
北齐
北周
隋代
歌诗艺术
胡乐
新声
歌舞百戏
歌诗创作
歌诗消费
Bei Qi , Bei Zhou and Sui Dynasties
Song Poetry
The Music of north minority
New Music
The plays with Song and Dance