摘要
在中国文学史上,为了解杜甫生平和理解其思想,人们经常提到他的《三大礼赋》。然而真正能够体现杜甫一贯的创作风格(沉郁顿挫)的赋作当数《雕赋》与《天狗赋》。通过对二赋意象现实性与象征手法的文本表层分析以及从写作背景、文体特征、文本本身进行深层意蕴分析,可以看出《雕赋》与《天狗赋》的独创性与悲剧性。
In the history of Chinese classical literature,people always mention Du Fu's Three Etiquette Fus when they study his thoughts and life.But I think only Diao Fu and Tian Gou Fu can truly embody his uniform style.This article attempts to analyse Du Fu's Diao Fu and Tian Gou Fu from the pathos within pretty and strange imagoes.
出处
《西华师范大学学报(哲学社会科学版)》
2003年第5期47-50,共4页
Journal of China West Normal University:Philosophy & Social Sciences