写出心灵欲望的真实——杜拉斯《情人》与《来自中国北方的情人》的体裁

An expression of truthfulness of desire from heart: On genre of Duras' s Lover and Lover from North of China

探讨杜拉斯《情人》和《来自中国北方的情人》两部作品的叙事体裁。这两部作品既非作者自传,也非一般小说,而是一种具有浓厚自传意味和小说色彩、又兼有其他文艺体裁因素的新型叙事作品。读者在其中可以窥见当今各种文学、艺术乃至各个学科之间相互渗透、相互据有的种种多元现象,而这一切皆服务于表现心灵欲望的真实这样一个主题。

This article tries to explore the genre in Duras' Lover and Lover from North of China. Not only can the two works be simply perceived as the author's autobiography, but they do not fall into the category of novel. They actually are a new-type narrative form with profound interest of autobiography and novel flavor as well as other forms of literature and art, in which readers can deeply experience the pluralistic phenomena of mutual infiltration and mutual containment. All of these serve for embodying the theme that is to express the truthfulness of desire of heart.