摘要
在我国北方草原广泛出土的匈奴动物纹器物,其年代主要在战国至西汉时期,所表现的动物及其形态与匈奴生存的自然环境及社会发展水平密切相关,亦受同期相邻文化的影响。匈奴动物纹装饰艺术形成后,与晚至北朝及中原、西南地区的同类艺术也有着交融发展。
Hun utensils with drawing lines of animals have been extensively excavated in grasslands in North China.The utensil period were between dynasties of War Country and West Han,and the animals and their shapes were of not only close relation with Hun natural circumstances and standards of social development but also influences from neighbor cultures the corresponding period.The formation of ornament arts of Hun drawing lines of animals promoted blending developments of the same arts among North Dynasty,the Central Plain and South China.
出处
《中央民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2003年第5期50-54,共5页
Journal of Minzu University of China(Philosophy and Social Sciences Edition)
关键词
匈奴
动物纹
游牧经济
自然崇拜
交融发展
Hun
drawing lines of animals
nomadic economy
natural worship
blending development