摘要
蒲松龄首先体味了魏晋风流性情层面的“真”,将“真”发展为更加执着的“痴”,塑造了一系列痴男痴女形象 ;其次是自我层面的“狂”,使“狂”具有了审美的浓厚意味 ,塑造了一系列狂生形象 ,肯定了越出名教的爱情与行为 ;最后 ,是超我层面的旷达自然 ,为其理想的境界加入了和谐浪漫、平凡而又超凡的爱情因素。蒲松龄得益于魏晋风流的不仅仅是精神内容方面的“痴”“狂”“旷”,还有艺术形式方面的“语典”“意象”“模式”等。
First,Pu Songling appreciated the 'genuineness' of the Wei-Jin style and developed it into a more inflexible state that can be called 'infatuation'.Secondly,he appreciated the 'wildness' on the part of ego and made it show some aesthetic favor.Thirdly,he appreciated the broad-minded and natural characteristic.What Pu benefited from the Wei-Jin style is not only the 'genuineness','infatuation' and 'wildness' of the content,but also the language-allusion,image and pattern of the form.
出处
《文史哲》
CSSCI
北大核心
2003年第5期96-101,共6页
Literature,History,and Philosophy
关键词
蒲松龄
魏晋风流
痴
狂
旷
Pu Songling
Wei-Jin style
Genuineness
Infatuation
Wildness