摘要
审美主义是在近现代西方出现的人生观、世界观和艺术观上的审美一元论思想,受其影响,我国新时期文学理论具有美学化倾向,在审美体验论、审美感性论、审美形式论、审美超越论、审美本质论等理论环节上显示出审美主义之审美一元论和感性本体论的倾向。反思新时期文学理论的审美主义局限,对于推进我国文学基础理论研究是非常必要的。
Aestheticism is the monistic aesthtic thought of the outlook on life, world outlook and artistic outlook that appeared in the West in modern and contemporary time. Under its influence, China literary theory of the new age has got the tendency of aesthtic appreciation, and shows the trend of aesthetic monism and perceptual ontology of aestheticism on the theoretical links between aesthetic experientialism, aesthetic perceptivism, aesthetic formalism, aesthetic transcendentalism and aesthetic essentialism. The work of considering the limitations of the aestheticism of the literary theories of the new era is very necessary for promoting the research on the basic theories of literature in our country.
出处
《北京科技大学学报（社会科学版）》
2003年第3期69-73,共5页
Journal of University of Science and Technology Beijing(Social Sciences Edition)
关键词
新时期
文学理论
美学化
审美主义
审美一元论
感性本体论
人生观
世界观
literary theory of the new era
aesthetic tendency of literary theories
aestheticism
aesthetic monism
perceptual ontology
