摘要
顾恺之是中国最早系统提出“传神论”的绘画美学理论家。本文以现代美学理念 ,主要从三个方面分析与探讨了顾恺之“传神论”绘画美学思想的形成与特点。论文首先分析了顾氏绘画艺术实践的美学倾向 ;其次探讨了影响顾氏形成“传神论”美学思想的各种哲学、宗教、文化等社会思想 ;最后是挖掘与总结了顾氏“传神论”
Gtu Kai-zhi is the first aesthete who advanced the 'spirit-giving' theory systematically. Based on modern aesthetic idea, this article analyses and discusses the formation and characteristic of Gu's painting aesthetic idea of 'spirit-giving' theory in such three aspects: first, Gu's aesthetic inclination of painting practice; second, all kinds of thoughts of philosophy, religion and culture which influence the formation of Gu's 'spirit-giving' theory; and third, the essential characteristic and artistic power of Gu's 'spirit-giving' theory.
出处
《云南师范大学学报（哲学社会科学版）》
2004年第1期76-81,共6页
Journal of Yunnan Normal University：Humanities and Social Sciences Edition
关键词
顾恺之
传神论
形神
传神写照
迁想妙得
Gu Kai-zhi
'spirit-giving' theory
form and spirit
spirit-giving and vivid reflection
imagination change and perfect creation
