摘要
现代性,作为20世纪的元话语,对其界定是从不同层面进行的。就是说,没有囊括一切的现代性,只有诸种不同层面的现代性。审美现代性作为现代社会中审美关系的反映、产物,与现代性存在"多元一体"的三重关系:现代性孕生审美现代性,审美现代性又是对现代性的批判、重建和超越。审美现代性是被把握在美学思想中的它的时代,反映的是美学主潮问题,它体现了历史主义、人文主义、审美主义三大理念的综合。
Modernity, considered as the fundamental language of the 20^(th) century, is often defined from different levels. That is to say, there is not any all-embracing modernity. Aesthetic modernity is the reflection and product of all kinds of aesthetic relations in modern society. Between the aesthetic modernity and the modernity a multi-relationship exists: (1)Aesthetic modernity origins from the modernity.(2)The former bases itself on the criticism, reconstruction and transcendence to the latter. Aesthetic modernity is not only a reflection of the aesthetic mainstream but also that of three main ideologies: historicism, humanism and aestheticism.
出处
《贵州师范大学学报(社会科学版)》
2004年第1期76-80,共5页
Journal of Guizhou Normal University(Social Sciences)