摘要
论文在梳理女性文学情爱主题流变的基础上,归纳出情爱主题的四个特征:即情爱主题由理性的对应向内在化、纯粹性转变;情爱主题由模式化向个性化、多样化转变;主观色彩强烈的"准自叙传"形式;对建构神话和乌托邦的执着,其中包括从精神恋神话到"性唯美"神话的建构以及从寻找理想男子汉到单性爱情乌托邦的营造。
This paper, based on the evolution of love motif in the female literature, aims to sum up four features of the love motif: (1) its transformation from rationality to internalization and purification; (2) its change from stereotypes to individuality and diversity; (3) the personal 'quasi-autobiographic'pattern in the narrative mode; and (4) the perseverance in constructing myths and Utopias, including the construction of myths ranging from spiritual love to 'sex worship'as well as the establishment of Utopias from the pursuit of ideal man to single-sex love.
