初唐对传统文风的解读与自我文风的重构

Traditional Style Exposition and Style Reformation in the Early Tang Dynasty

初唐对传统文风的解读原本是朝代更替之后的必然,并不具有特异性。需要看到的是,初唐解读者入世心重,在文学关系国运兴衰上回归传统,尤其是对南朝梁陈文风的解读;解读者自我表现心重,在文学关系性情上不同程度地回归人的自身。由于对传统文风解读的多重性,初唐自我文风的重构远不能以陈子昂的"兴寄"、"风骨"说涵盖,其间尚质朴者固然重质朴本属自然,反华美者仍然好华美也不奇怪。在这里,关键是初唐文风重构所具有的初唐文人的勃发精神及其影响之下对未来的期待,并构成初唐文学精神的两极和初唐文风不同于传统的面貌。

It is necessary for expositors in the early Tang Dynasty to re-exposit the traditional styles of writing after dynastic changes. But it should be noted that the expositors were eager to participate in social affairs and show themselves, caring more about individuals than about the rise and fall of the country. Due to diversified interpretations of the traditional styles, style reformation could not be generalized by Chen Ziang's 'Xing Ji' or 'Feng Gu' theories. So,what matters is the literators' spirits in the reformation and the effects of spirits on the future. That accounts for the two peaks of the literary spirits and different stylistic versions at that time.