对五四新文化、新文学运动发生根基的再认识(上)

The Basis for the New Cultural and Literary Movements during the May 4th Movement Reinterpreted (Ⅰ)

文章分析了蔡元培及其开创的北京大学与陈独秀及其创办的《新青年》的同与异,分析了进入北大的章门弟子同人与"校"和"刊"的同与异,进而分析了以鲁迅为核心的"S会馆"与"校与刊"结合的北大存在着相对恃和抗衡的一面,从而提出了重新认识"五四"新文化、新文学运动发生的两个体现逐步深化的认识框架:一者是"S会馆"与"校"和"刊"的"鼎足而立",另者是"S会馆"本身即呈"三角张力"。由此可见,从章太炎到鲁迅对"五四"新文化、新文学运动的发生起到了根基性作用。

This paper opines that the basis for the new cultural and literary movements during the May 4th Movement has so far been purified to some extent, its inherent abundance and complexity having been lost. Starting with an analysis of similarities and dissimilarities between Cai Yuanpei and Peking University initiated by Cai and Chen Duxiu and the magazine'New Youth'founded by Chen as well as of similarities and differences between Zhang Taiyan's disciples and other scholars at Peking University and'New Youth', this paper aims to expound on the confrontation and contention between the'S Guild Hall'with Lu Xun at the core and Peking University integrating Cai Yuanpei's and Chen Duxiu's ideas. It is believed that two cognitive frameworks are essential to reinterpreting the advent of the new cultural and literary movements during the May 4th Movement, the first being the 'balance between the'S Guild Hall'with Lu Xun at the core and Peking University; the other being'the tripartite tension'exhibited by the guild hall itself. It is clear that Zhang Taiyan and Lu Xun have played vital roles in the new cultural and literary movements during the May 4th Movement.