摘要
香港诗人梁秉钧的诗歌写作呈现出越界的特质,一是文体的越界实验,二是文化身份的越界,此种特质与香港文学的香港性息息相关。对香港性的认知是研究香港文学的基本起点,但仅仅是一个起点,真正要从文学上把握香港文学,必须将其置于现代汉语文学或现代汉语诗学的背景之下。或者换一种说法,必须将香港以及台湾甚至包括部分海外的汉语文学经验有机地纳入,才能建构完整的20世纪中国文学史。
Hong Kong poet Leung Ping-kwan 's poetic writing displays certain ' over the border' characteristics, first tentatively over the border of literary genres, and second over the border of cultural identity. This nature comes partly from Hong Kong consciousness in Hong Kong literature, and this consciousness is a starting point for studying Hong Kong literature. However, it is a starting point only; Hong Kong literature must be understood against the background of modern Chinese literature or poetics. In other words, Chinese literary experience from Hong Kong, Taiwan, and even partly overseas must be embodied before a complete picture of the history of 20th-century Chinese literature can be formed.
出处
《南京大学学报(哲学.人文科学.社会科学)》
CSSCI
北大核心
2003年第5期95-101,共7页
Journal of Nanjing University(Philosophy,Humanities and Social Sciences)
关键词
香港性
边缘
现代汉语
越界
Hong Kong consciousness
border
modern Chinese
over the border