摘要
艺术歌曲与诗有内在的联系,音乐与诗结合实现情感的升华。诗化意境倾向的文化根源在于个体感性与理性间的张力,德奥中世纪到宗教改革时期注重个体理性,精神生活得到极大充实,19世纪德奥艺术歌曲强调诗化意境的美,激发了作曲家在艺术风格上的个人创新。
The German lied was consignated by two elements, that is poems and artificial music. From the big-inging of 19th century, by analysis works of Schubert , Schumann and Hugo Wolf, we see the main trend of lied composing is to widen the poetic conception and to deepen the expressiveness of piano part. The tension of personal reason and conception.
出处
《青海师范大学学报(哲学社会科学版)》
2004年第1期82-86,共5页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
关键词
美学
诗化意境
个体感性
艺术歌曲
lied
poetic conception
personal perception
convert of aesthetic