摘要
新批评派关于文学作品意义的对立调和思想,被具体化为"张力"、"反讽"、"悖论"等理论形态和批评实践。这种对立调和思想可以依次上溯到瑞恰慈、柯勒律治、谢林和康德等人,是由他们的有关思想变化而来的。
The thought of opposites in harmony proposed by New Criticism concerning the meaning of literary works finds its expression in the theories and practices about 'Tension', 'Irony' and 'Paradox'. This thought is derived from Richards, Coleridge, Schelling and Kant in turn.
出处
《四川大学学报（哲学社会科学版）》
CSSCI
北大核心
2004年第2期89-92,共4页
Journal of Sichuan University：Philosophy and Social Science Edition
