也谈审美文化研究与美学的转型

Further Research on Aesthetic Culture and Aesthetics Transformation

20世纪90年代的审美文化研究的兴盛与全球审美化浪潮密切相关,同时也是对中国现代美学危机的回应,是中国学者试图走出美学困境的一种努力。现代美学的衰落催生了审美文化研究,审美文化的勃兴又使美学的转型成为可能。美学从以艺术为中心转而面向生活世界,从追问美和艺术的本质转而探求审美文化与非审美文化转换的机制,从普遍性的抽象思辨转向具体现象的形态学分析。美学的转型是美学研究对象和美学基本问题转换的结果,但美学的哲学性质并没有改变。

The boom of the research about aesthetic culture is not only influenced by global aestheticization but also by the response to the crisis of Chinese modern aesthetics. It means that Chinese scholars make their best effort to get out of the trouble of aesthetics.The decline of modern aesthetics leads to the boom of the research about aesthetic culture and this resnlt makes the aesthetics transformation possible.Aesthetics will turn to face to the living world from regarding art as the main research object, to hunt after the mechanism from aesthetic to non-aesthetic from investigating the essence of beauty and art, to analyze concrete phenomenon by morphological method from abstractly pondering upon the universality.The change of the object of aesthetics and the fundamental problem of aesthetics result in the aesthetics transformation.The philosophic property of aesthetics after transformation will not change.