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境生象外 意发其中——浅谈山水画的意境表现 被引量:1

The artistic conception is beyond the paint The point springs from paint——Discussing conception expression of landscape painting simply
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摘要 意境是中国古典美学与古典艺术的核心问题,山水画创作当以巧妙构思意境为宗旨。意境的表达离不开笔墨和虚实的运用,画家见景生情,景与情合,凭自己独特的感受创造出艺术形象,求得意境的创造和心灵的净化,使中国山水画在有限的空间表现出无限的意味。 Artistic conception is a key question in Chinese classical aesthetics and classical art. The creating landscape painting should regard ingenious conception as intention. Expressing artistic corceptin depends on applying of pen and ink and imagination and actuality. Painters grow emetion as soon as they catch sight of scence, emotion coineides with scence. Relying on one's special feeling brings about art image to obtain the creating of artistic corceptin and the purifying of mentality, to make the Chinese landscape paiting show limitless meaning in limited empty space.
作者 王书兰
机构地区 德州学院美术系
出处 《德州学院学报》 2004年第1期96-98,共3页 Journal of Dezhou University
关键词 山水画 意境 虚实 人文思想 诗情画意 Inndscape painting artistic conception imagination and actuality human thought a quality suggestive of poetry or painting
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参考文献2

  • 1黄霖等导读,王国维.人间词话[M]上海古籍出版社,1998.
  • 2潘公凯编,潘天寿.潘天寿谈艺录[M]浙江人民美术出版社,1997.

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