此码非马──论现代数码图像与版画的界线

White Horse Is Not a Horse──Talking about the Boundary Line between Digital Images and Engravings

当代艺术思潮的纷呈迭起与表现的多元发展使得艺术的边界日趋模糊,在此大的文化环境下,版画自然亦不例外,由于版画和计算机数码图像在复数上的共性使得人们对版画与计算机数码图像作品的界限开始产生不同的认识与看法,本文试图通过对版画表现语义的基本美学特征来探究版画艺术表现的内涵及外延,阐述现代数码图像与版画的界线,并提出对建构新版画理念框架的思考。

Contemporary various artistic trends of thought and multiple developments of representative methods make the artboundary quite vague, engravings are naturally not a exceptional one in that context. Since the generality of digital images andengravings makes people have different ideas of their boundary, the article intends to study the intension and extension ofengravings artistic representation through its basic aesthetic qualities, elaberates the boundary between digtal images andengravings and puts forward the ideas of reconstructing engravings frame.