摘要
文章阐述了色、音的自然本质与艺术规律的谐一性和共通性,为色、音的同构表现提供了科学理性的依据。色、音、形象、语言的情感性,构筑了联觉通感的审美心理基础。色光运动的科学原理,支持了色彩空混产生的时间流程体验,实现了色彩综纳时空的表现。色音符号语言的理性内涵和情感指向,构成了色、音抽象表现特征。色、音在审美和表现诸方面的同构关系,论证了色彩的音乐性及其表现。
The thesis elaborates the natural characters of sounds and colours, and the artistic regulations of them areharmonious and applicable to one another, which provides scientific theory for the identity of colours and sounds. Thesentimental qualities of colours, sounds, images, and words construct psychologically aesthetic base of sympatheticresponse. The scientific principles of movements of colours and sounds support to experience the flow of the time throughcolours blending with space, thus realize the expression of colours containing time and space. The rational intension andsentimential meanings compose abstract expressional features of colours and sounds. Colours and sounds are identities inaesthetic and expressional means, which proves the musical quality of colours.
出处
《南京艺术学院学报(美术与设计)》
2004年第1期66-68,共3页
Journal of Nanjing Arts Institute:Fine Arts & Design