论影像的幻觉叙事与主观想象——兼论近年来韩国影片的叙事策略

Hallucinatory Narrative and Subjective Imagination of Image:Discussing the Narrative Strategies of Recent Korean Films

在幻觉叙事中,镜像承担了多种功能,既能体现时态跳跃,又能形成情感的隐喻;韩国影片特定的思维方式致使虚构故事与故事主体的“互文本”关系铭刻着游戏心态与喜剧色彩;而在时空的幻觉处理上,更以传统的散点透视法反驳焦点透视的深度感(空间)与线形感(时间)。本文以近来的韩国影片为例,探讨了幻觉在叙事中的营造与功能。

In the hallucinatory narrative, mirror image has carried on many functions: not only displaying the different tenses, but also forming the different metaphors. The special way of thinking in Korean films leads the mutual-text relationship between the fabricated story and the main part story to have a game spirit or comic spirit. While dealing with the space and time, the traditional perspective on dispersive points is used to oppose the perspective on the fixed point and the lineal time.