摘要
本文从视唱练耳教学与训练的特点出发 ,通过对传统视唱练耳教学的分析 ,认为传统视唱练耳教学中现有的教学模式 ,对视唱练耳教学有时会产生一定的负面影响。文章论述视唱练耳教学中必须坚持的几项教学原则 ,并提升视唱练耳在受训者心中的地位 ,以此为基础 ,来改革传统视唱练耳 。
The writer held that the traditional solfeggio and ear training in exist teaching pattern could made a definite unfavorable influence some times. Therefore, the article discussed some teaching principles had to insistent during the teaching the solfeggio and ear training, and suggested to promote the course position in student's mind, and based on it to reform the traditional course of solfeggio and ear training, built up the scientific teaching way in the course.
出处
《黄钟(武汉音乐学院学报)》
北大核心
2003年第3期106-109,共4页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
视唱练耳
教学模式
教学原则
思维建构
solfeggio & ear training, teaching pattern, the principle of teaching, thinking on structure