摘要
大提琴协奏曲《嘎达梅林》是中国大提琴音乐创作领域中具有典范意义的大型作品。从音乐形态方面来看,她是东方音乐文化与西方音乐文化的碰撞与结合的结晶。她在以中国少数民族民间音乐为素材,借鉴和运用西洋音乐创作体裁与技法进行大提琴音乐创作方面,为后辈做出了榜样。作品的曲式结构是自由的奏鸣曲式,与传统典型的奏鸣曲式有点不同;在调式调性的运用方面也颇具民族特色;另外,独奏大提琴在作品中的表现力也很贴切。
Cello concerto Gadameilin is a large work of apotheosis meaning in Chinese cello music creation. From the aspect of music form, it is an outcome of combining west culture and east culture. It adopts not only some materials from music of minority nationality but also forms and techniques of west music. The work is in free sonata form, its mode and tonality is in style of national feature.
出处
《星海音乐学院学报》
2003年第3期86-89,共4页
Journal of Xinghai Conservatory of Music
