期刊文献+

钢琴教学中的听觉训练 被引量:12

Hearing Training in the Piano Teaching
下载PDF
导出
摘要 钢琴表演艺术对于听觉的要求很高,演奏者对作品的把握从技术到艺术最终都要体现在对音响的审美创造上,而所有的演奏内容都需要演奏者通过听觉来进行最终的整合。在钢琴教学中,教师首先要帮助学生打好音乐听觉训练的基础,要时刻注意从音响的“纵”“横”两个方面来提高听觉能力。这样,才能对各种音乐要素有机建构起来的和谐形式感进行多声听觉和有效地把握,可以肯定地对所有学习钢琴演奏的人来说,听觉是否敏感对音响的完美体现具有决定性的意义。 The art of piano performance needs a high ability in hearing. Performer's grasping of piano works, from techniques to art, relies on his/her taste and sound creativeness. All performing contents must inevitably conform to the performer's hearing. In the piano teaching, teachers ought to help their students to achieve a good ground of hearing training, let them to advance their hearing in both 'vertical' and 'horizon'. Thus, by part hearing one can efiectively feel the harmonious forms based on the incorporating of various musical elements. No doubt, the sensitivity of hearing is of fatal meaning to express perfect sound for all students of piano learning.
出处 《星海音乐学院学报》 2003年第3期57-59,共3页 Journal of Xinghai Conservatory of Music
关键词 钢琴教学 听觉训练 听觉能力 音乐表情 piano teaching hearing training hearing ability music expression
  • 相关文献

参考文献3

  • 1杨易禾.音乐表演艺术原理与应用[M]安徽文艺出版社,2003.
  • 2赵晓生.钢琴演奏之道[M]上海世界图书出版公司,1999.
  • 3(美)艾尔德(Elder,Dean)著,叶俊松.钢琴家论演奏[M]人民音乐出版社,1992.

同被引文献30

引证文献12

二级引证文献13

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部