1Bernard, Jonathan W."Messiaen' s Synaesthesia : the Correspondence between Color and Sound Structure in his Music" . Music Perception, 4/1 (1986), pp.41-68.
2Bruhn, Siglind. ed. Messiaen's Language of Mystical Love.New York: Garland, 1998.
3Cheong Wai - Ling."Messiaen' s Triadic Colouration: Modes as Interversion" . Music Analysis, Vol. 21, No. 1 (March 2003),pp.53- 84.
5Glasow. E. Thomas. Music and Color: Conversations with Claude Samuel and Olivier Messiaen. Oregon: Portland Press,1994. Translation (from the French) of Claude Samuel, Olivier Messiaen: Musique et couleur . Paris: Belfond. 1986.
6Hill, Peter. ed. The Messiaen Companion. London: Faber and Faber, 1995.
7Lee, John Madison. Harmonic Structures in the' Quatre etudes rythmiques' of Olivier Messiaen. Ph. D. dissertation, Florida State University, 1972.
8Messiaen, Olivier. Messiaen on Messiaen: the Composer Writes about his Works. Trans. Irene Feddem. Indiana: Frangipani Press, 1986.
9_______. Technique de mon langage Musical. Paris:Leduc, 1944, 2 volumes; volume Ⅰ translated by John Satterfield as The Technique of My Musical Language. Paris: Leduc, 1956.
10________.Traite de rythme, de couleur et d' ornithologie (tome Ⅲ). Paris: Leduc, 1996.
