摘要
中华民族自古就有忧患意识 ,但这常常被视为个体的一种人生观 ,而未像报告文学家那样把它作为国家民族整体的思维模式。中国文学的大部虽也时常将“忧患意识”作为文体功能 ,但却没有像报告文学那样角色明确和自觉 ,并且能一以贯之。因此 ,从某种意义上说 ,“忧患意识”是报告文学主体思想情结的核心和本源 ,这应当被视为报告文学审美生成的关键所在。
The Chinese nation have the suffering consciousness all over the time, but this is often regardedas a kind of individual's philosophy of life, without regard it as the thinking mode of national whole as reportage writer. Though most Chinese literature often regard 'suffering consciousness' as the literary style function, but not the role is clear and conscientious as reportage. So, in a sense, 'suffering consciousness' is core and origin of the subject thought complex of the reportage. This should be regarded as the aesthetic key to the produces of the reportage.
出处
《广播电视大学学报(哲学社会科学版)》
2004年第1期34-36,共3页
Journal of Radio & TV University(Philosophy & Social Sciences)
关键词
中国报告文学
主体思想情结
忧患意识
Chinese reportage
The thought complex of the subject
Suffering consciousness