群鹤飞舞 朝兮暮兮──《瑞鹤图》有关问题的阐释

Cranes Dancing in the Air, Morning or Evening? ──Interpretions about < Auspicious Cranes >

本文对《瑞鹤图》赵佶题跋中“清晓”与“次夕”时间上的矛盾提出质疑,探讨了此图诗文、画作与题跋三者的关系。这一解读对我们重新认识古代名作有启发意义。

The thesis queries the contradictions between the morning and next eveningin ZhaoJis postscript in <AuspiciousCranes>, and inquires into the relationship among the poems, painting and postscript in it. The interpretation would be muchinstructive for us to understand ancient masterpieces.