摘要
薛荣的小说《沙家浜》从某种意义上讲是对京剧样板戏《沙家浜》的颠覆。它的积极意义在于 ,它以“戏仿”的方式 ,直击“样板戏” ,彻底清理其对文艺真谛的损害 ;它的消极意义表现为 ,在试图以人性重写阿庆嫂等人物时 ,对“人性”作了片面化、欲望化的处理 ,使人物从政治符号跳到另一个极端———情欲符号。在小说《沙家浜》发表后 ,许多文章采取简单化的批评方法 ,对其进行全盘否定 ,这是违背文学批评的原则的。
Sha Jia Bang ,the novel written by Xuerong,is overiding the Beiging opera model opera Sha Jia Bang .Its active meaning lies that it uses the way of the imitition of drama to attack the 'model opera' directly and clear up the damage by its impact on art core.Its inactive meaning lies that it makes the actors act from the political symbole to love desire symbole.When it tries to reshape Aqing Sister by human way and deals with 'human' in a unique or desire way.After the publishing of Sha Jia Bang ,many articles adopt the critic way of simplization and deny it on a whole,which is violating the way of literature criticisim.
出处
《鞍山师范学院学报》
2004年第1期4-5,共2页
Journal of Anshan Normal University
关键词
《沙家浜》
小说
“样板戏”
薛荣
人性
文学批评
京剧
The model opera of Sha Jia Bang
The novel of Sha Jia Bang
Comparation
Criticisim