摘要
本文将苏青置于中国现代女性文学的发展脉络中,考察其作品在智性认识、形象建构、欲望表述等方面表现出的异于前代女作家的特点,以及这些特点形成的原因。全文分三部分:第一部分论述苏青对“娜拉”、“男女平等”这一系列观念的反拨;第二部分分析苏青小说中女性形象的内涵;第三部分探讨苏青笔下出现的欲望话语的形态。苏青的写作为女性文学的流变提供了新的元素,同时她也止步于秩序与禁忌所划定的表达的界限。
Placing Su Qing in the developmental sequence of modern Chinese women's literature, this paper explores the characteristics of her wounds that are different from those of women writers of previous periods in intellectual cognition, image building and desire indication, as well as the formative factors of these characteristics. The paper is divided into three parts: 1.Su Qing's refutation of 'Nora,' 'equality between men and women' and other concepts; 2.the implications of women's image in Su Qing's novels; 3.the forms of desire speech under Su Qing's pen. While Su Qing's writings have provided new elements for the evolution of women's literature, they have halted at the confines defined by order and taboo.
出处
《妇女研究论丛》
CSSCI
北大核心
2004年第1期47-54,共8页
Journal of Chinese Women's Studies
关键词
娜拉
欲望表述
中国
现代
女性文学
苏青
女作家
Nora
women as dear to each other as members of the same family
indication of desire