期刊文献+

置阵布势与中国画的构图

Setting of Scene and Composition of Chinese Paintings
下载PDF
导出
摘要 置阵布势中,开合、聚散完成了势的创造,一开一合的无限性变化使章法产生了多样性,而多样要归于统一,所以在置阵中则必须分清主宾、虚实、疏密、繁简等一系列对比因素。 In the setting of scene, opening and closing, gathering and dispersing create the momentum. Unlimited changes of opening and closing diversifies the art of painting composition. However, diversification will finally come to unification. Therefore, in the setting of scene, series of factors such as: what is primary, what is secondary, what is elusive, what is realistic, what is dense, what is sparse, what is simple and what is complex must be distinguished.
作者 王廷华
出处 《天水师范学院学报》 2004年第1期101-103,共3页 Journal of Tianshui Normal University
关键词 中国画 审美观念 构图法 主宾关系 setting of scene opening and closing what is elusive and what is realistic
  • 相关文献

参考文献3

  • 1(汉)司马迁撰(唐)张守节正义史记[M].
  • 2(汉)班固 撰,(唐)颜师古.汉书[M]中华书局,1962.
  • 3(汉)司马迁 著(南朝宋)斐骃 集解(唐)司马贞 索隐(唐)张守节 正义史记[M].

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部