本体论创新与视界开放——对文艺美学学科问题的哲学思考

Innovation in Ontology and Opening in Vision——A Philosophic Contemplation on Artistic Aesthetics as a Discipline

本体论创新与视界开放,既是文艺美学学科性的体现,也是促进该学科发展的重要价值选择。在当代科学与文化不断趋于交叉与融合的背景下,文艺美学作为人文阐释的学科,其本体论研究的重心和方向,应从以往注重对学科自身本体构成的自律性研究,对学科内部知识形态的系统化生产,自觉转向对人文思想资源与审美价值观念的生产与运用方面来,进一步提高该学科捕捉与提炼问题、阐释与评估现实的观念与能力;在学科的知识构型、研究范式、阐释视野及理论品格等方面,坚持开放性的意识与精神。要实现这种目标,需不断加强人文研究者的精神建构与人格提升,这是促进人文学科发展的基本前提。

Innovation in ontology and opening in vision reflects both the essence of artistic aesthetics as a separate discipline and the alternative value of this discipline to strengthen its development. Under the current tendency of overlapping and merging between different cultures and sciences, artistic aesthetics as a science of humanistic interpretation should consciously shift its focus of ontological study from self-disciplinedness in the discipline's internal structure and systematic development of the categories of internal knowledge to development and application of resources of humanistic ideology and aesthetic values. In this connection, the science of artistic aesthetics should improve its conception and capacity of grasping and selecting issues and interpreting and the reality by adhering to the open awareness and consciousness in pattern of knowledge, model of study, vision of interpretation and quality of theory. As an essential prerequisite for development of humanities, humanistics researchers should continue to better themselves in spiritual construction and personality so as to attain the above-mentioned objectives.