摘要
王士祯在继承前人美学观点的基础上,第一次提出了"神韵说"这一理论主张。其理论的基本美学焦点包括:1."诗以达性,清远为尚";2."余味论";3."天然入妙,不可凑泊";4."妙悟论"。王士祯的"神韵说"迎合了清初文坛要求改变诗风的潮流,影响极大。
On the basis of succeeding the predecessors' aesthetic concept, Wang Shi-zhen first put forward 'the theory of romantic charm'. The primary aesthetic connotation of his theory is as follows:1. Poems should render the reader a feeling of tranquility and relaxation; 2. the theory of reservation; 3.poems should be unaffectedly easy and natural; 4. theory of sudden perception. In accordance with the request to change the poetic styles in the early Qing Dynasty, Wang Shi-zhen's theory of romantic charm greatly influenced the poetic creation.
出处
《沈阳师范大学学报(社会科学版)》
2004年第2期85-89,共5页
Journal of Shenyang Normal University(Social Science Edition)
基金
2002年庆南大学学术研究组成费资助项目。
关键词
王士祯
神韵说
美学内涵
Wang Shi-zhen, theory of romantic charm, aesthetic connotation