摘要
从古希腊时期一直到现代派艺术,西方人体艺术在表现恐怖情感方面不仅源远流长,而且颇有独到之处。在不同时代各种美术流派所描绘的人体艺术中,由于社会历史和政治背景的不同,引起恐怖情感的原因和事件的不同,社会各阶层人物对待恐怖事件的情感态度也是千差万别的,从而使人体艺术表现出丰富多彩的文化意味,同时又从不同角度揭示了大千世界异彩纷呈的生活层面。
Western body art has a long and unique tradition in the expression of fear, a tradition that started from ancient Greece and continued into modern times. However, different schools of art in different ages have different ways of expressing fear as a result of the changed social or political contexts, which give rise to the difference in the causes of fear as well as in people's attitudes towards fear. In this way, body art is bestowed with a rich cultural connotation, like a prism that shows the varicolored facets of life.
出处
《思想战线》
CSSCI
北大核心
2002年第6期71-75,共5页
Thinking
关键词
西方
不同流派
人体艺术
恐怖众达
文化意味
West
various schools of art
body art
expression of fear
cultural connotation