王国维人本—艺术美学的结构与意义

The Structure and Meaning of Wang Guowei's Humanism-Art Aesthetics

该文指出 ,王国维创立了迥异于西方 ,却又中西合璧、古今融会的中国人本 -艺术美学。作为一种准体系结构 ,其内含为“天才说”、“无用说”、“古雅说”与“境界说”四大板块 ,而他的再创性贯穿与依次展开的各个板块 ,处处用艺术美学的语言诉说人生的沉郁、凄美与醒悟。这种人本—艺术美学的学术意义在于文的自觉 ,人的觉醒和论的独立。因此说王国维对中国现代美学与中西美学关系走向的世纪性深远影响 。

I206.2The thesis holds that Wang Guowei established the Chinese humanism-art aesthetics, which is an excellent combination of western and eastern culture and that of traditional and modern Chinese culture. As a quasi-systematic structure, it consists of four parts, On Talent, On Futility, On Elegance, On Realm of Thought. His recreation is reflected throughout every part of his aesthetics works, where he stated his depression, wretched beauty and consciousness. The academic meaning of the humanism-art aesthetics lies in human consciousness andindependence. So Wang Guowei's influence on the modern Chinese aesthetics and the trend of the relationship between western and Chinese aesthetics will be more clearly shown.