“虚静”审美心理分析

Aesthetic Psychoanalysis on Void-quietness

虚静具有两个特定的心理层面:一是虚静之心的形成,要求忘物、忘我,它指称一种倍受推崇的审美心态;一是虚静之心的外射,表现为专注性、内视性、消融性,它意指三种相连的幻化境界:主体物化—客体人化—物我为一。将这种审美心态、审美境界扩大到整个现实人生,虚静成为中国古人安身立命的一种生存智慧。

Void-quietness has two special mental gradations. One is the formation of the sense of void-quietness, in which material world and ego are required to be neglected and it means a welcomed aesthetic mood. The other is the insinuation of the sense of void-quietness,which is presented by concentration, introspection and ablation and it means three linked changeable realms-the subject and the object being assimilated each other and being unified.Through aesthetic mood and aesthetic realm into all real life it becomes a kind of survival wisdom settling down and getting on with their pursuit of Chinese people in ancient times.