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清初渌水亭在北京出现的文化意义 被引量:1

The Cultural Meaning of the Appearance of Lushuiting Pavilion in Beijing during the Early of Qing Dynasty
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摘要  渌水亭是北京一道独特的文化景观。既是帝京的江南,是"城市中的乡村",又是一种文化的象征,表征着明清易代之际,满与汉、北方游牧民族和江南之间文化上的对峙、冲突和融合。微妙地折射出清初京师对江南的武力征服和文化上对江南的倾慕和向往。渌水亭在清初的出现意义重大,负载和发挥了特殊的政治和文化上的功能。 Lushuiting Pavilion is a specific cultural landscape in Beijing.The pavilion is scenery,which is called 'the south of the Yangtze River in Emperor Capital' or 'countryside in a city'.It is also a cultural symbol,which symbolized cultural confrontation,clash and harmony between Manchu and Han nationality,northern nomadic nationalities and the south of the Yangtze River,and symbolized embracement,assimilation and conquest of a strong culture to another weak culture in the vicissitude from Ming dynasty to Qing dynasty.The pavilion subtly reflects that the capital of the early of Qing dynasty conquered the south of the Yangtze River with military force and adored the culture of the south of the Yangtze River.It was significant for Lushuiting Pavilion to appear during the early of Qing Dynasty because it loaded and gave full play to the political and cultural function.
作者 胡慧翼
机构地区 北京大学中文系
出处 《中央民族大学学报(哲学社会科学版)》 CSSCI 北大核心 2004年第1期93-98,共6页 Journal of Minzu University of China(Philosophy and Social Sciences Edition)
关键词 清初 渌水亭 文化融合 文人雅集 江南 文化意义 the early of Qing Dynasty Lushui Pavilion cultural harmony a meeting of cultural workers the south of the Yangtze-River
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