摘要
文明的高度发展和两次世界大战的创伤孕育了荒诞这一美学主潮 ,荒诞是丑的极端表现 ,是人类心灵对所有现实倾向的接纳。荒诞使世界的矛盾性存在彻底公开化、清晰化 ;荒诞的出现是对传统美学的反抗 。
Bred by the high development of civilization and the hurt from two world wars, absurdness is human soul's admission to all real tendencies ,as it's the extreme expression of ugliness. However, the appearance of absurdness is against traditional aesthetics, which means that aesthetics starts to care for the weak. And as a result, it makes the contradictory being downright public and clear.
出处
《云南师范大学学报(哲学社会科学版)》
2004年第2期88-90,共3页
Journal of Yunnan Normal University:Humanities and Social Sciences Edition