论初唐宫廷文人山水诗

About the Landscape Poetry of the Palace Literators in early Tang dynasty

初唐宫廷文人诗歌研究历来易被忽视 ,整体观照其山水诗的流变 ,更是罕有论者。综观初唐宫廷文人的山水诗创作 ,其理论核心是性情声色的统一 ,其推动力是崇尚自然的审美趣味 ,而形式的完善、意境的开拓和艺术经验的积累为其外在表现。初唐宫廷文人以自己多方的创作实践 ,促进了盛唐山水诗高潮的形成 。

The palace literati in the early Tang dynasty and their landscape poetry have never been paid enough attention. This article describes the producing course of these landscape poetry and analyzes them in four aspects: the gradually integrating of form and content, the advocating nature of aesthetic standards, the richness of capacity and maturity of technique of expression, including language, structure and skills. In this way, the author makes a systematic exposition about the special function of the landscape poetry of the palace literati in the early Tang dynasty in promoting and forming the climax of all the landscape poetry.