摘要
在当今文坛,作为一种文学实践的批评话语的衰败有目共睹,种种原因当中,缺乏应有的文化效益首当其冲。而分析起来,这个问题的症结很大程度上又同批评家主体对文学批评的功能维度缺乏自觉有相当关系。概括地来看,文学批评的基本维度有两大方面:审美品质的鉴定与艺术品牌的辨识。这两个方面同时也构成了文学批评的基本职能。
In contemporary literary world, the weakening of literary criticism has been a universally acknowledged fact. Among various causes, the inadequacy of cultural effects is a primary one. This existing problem actually has much to do with the critics' insufficient awareness of the function of literary criticism in which their subjectivity is actively involved. Literary criticism has two major dimensions: aesthetic quality appreciation and art label identification. Both of them make up the fundamental functions of literary criticism.
出处
《杭州师范学院学报(社会科学版)》
2004年第1期56-61,68,共7页
Journal of Hangzhou Teachers College(Humanities and Social Sciences)
关键词
批评维度
艺术品质
审美品牌
criticism dimension
art label
aesthetic quality