摘要
柏格森的“艺术———时间”观是一个理论创举。他视艺术为时间的造物 ,认为它表现在三个方面 :第一 ,在艺术创作的过程中 ,时间不是可有可无的附属品 ,创作时间的延长或缩短 ,都会影响到作品的内容 ;第二 ,就艺术作品本身而言 ,不但它的材料是从时间中沉淀下来的 ,而且传达媒介也具有时间性 ;第三 ,艺术鉴赏也是具有时间性的 ,读者由艺术作品所引起的体验分为三个从低到高的等级 :感觉、情感与观念。柏格森的“艺术———时间”观首开从时间、动态的角度研究艺术作品的先河 ,并由此启发了后来的存在主义美学与接受美学等流派 ,具有深远的历史影响。
The art-time theory is Bergson's unique pioneering work. He holds that art is the product of time, which shows three respects: first, in the process of art creating, time is not the accessory, it's extension and contraction can influence the content of works; second, the material of works is sediment from time, and communication intermediary also have relation with time; third, art appreciation also possess time significance. The art-time theory of Bergson firstly review art works from time and trends angle, which inspires the later Existism Aesthetics and Acception Aesthetics, and it also has profound historic significance.
出处
《电子科技大学学报(社科版)》
2004年第1期46-50,共5页
Journal of University of Electronic Science and Technology of China(Social Sciences Edition)