朱光潜美学历程论

On the Course of ZHU Guang-qian's Aesthetics

文章把朱光潜的美学思想纳入他成长发展的历史线索中做了系统的解读,努力探索朱光潜美学对中西美学思想的接受史,并由此展开朱光潜美学发展的内在逻辑。一般论述朱光潜美学发展历程的著作,都将之分为建国前和建国后两个大阶段。文章提出了关于朱光潜的"前美学时期"(1897—1925)、"美学时期"(1926—1935)、"美学实践时期"(1936—1948)和"美学批判时期"(1949—1986)四阶段分期法。这个分期法既考虑到20世纪前后中国社会性质的变化对朱光潜美学的影响,更注重朱光潜美学历程的内在阶段性变异的揭示。

In this paper, the aesthetics of ZHU Guang-qian is studied systemically in the context of all his life. It is the purpose of the author to discover an logic line on which aesthetic thought of ZHU Guang-qian proceeded by researching the history of studying Chinese and Western aesthetics of ZHU Guang-qian. Most of scholars divided the course of ZHU Guang-qian's aesthetics into two stages: one before 1949 and the other after 1949. Whereas, the author considers that the course of ZHU Guang-qian's aesthetics contains four stages: a. the stage of pro-aesthetics (1897—1925), b. the stage of aesthetics (1926—1935), c. the stage of aesthetic practice (1936—1948), d. the stage of critic aesthetics (1949—1986). This is a new division which not only thinks of affections of ZHU Guang-qian from the great changes of Chinese society in 1949, but also pays attention to those logic changes of the course of ZHU Guang-qian's aesthetics.