摘要
认为意象并不是一个独立的概念 ,它是中国传统美学系统中的一个组成部分 ;意和象的关系类似于计算机科学中的编码和解码 ;意象的升华形成意境 ,是靠妙悟 ,而不是凭直观获得的 ;意象有虚有实 ,虚实相间 ,才能既有理可循 ,又思而无穷 ;意象在作者心中 。
It is considered that the imagery is not an isolated concept, but a component of the Chinese traditional aesthetic system. The relation between the idea and image is similar to that between the coding and decoding in computer science. The imagery is sublimated to form the artistic conception and is obtained depending on subtle consciousness instead of direct perception through the senses.There are false or true imageries. Only by alternating the false and true imageries will there be reasons to follow and boundless thinking. The imagery lies in the heart of the author whereas the artistic conception gets in the heart of readers.
出处
《西安交通大学学报(社会科学版)》
2004年第1期91-96,共6页
Journal of Xi'an Jiaotong University:Social Sciences
关键词
意象
意境
文学理论
美学
imagery
artistic conception
theory of tales
aesthetics