二十世纪末现代汉诗分行的探讨

The Discussion of the Division of Modern Chinese Poetry in the Late 20th Century

分行是诗歌不可忽略的文体标志,是有意味的形式。诗句的分行增大了语句之间的跳跃性,从而形成巨大的张力场,使诗的意蕴无法穷尽。20世纪末的现代汉诗在分行方面显示出相当的随意性,古典化、先锋化、平民化、图形化等等,纷纭复杂,从而消解了分行的意义和作用。分行不是率性而为的,应体现出诗情的流动,并适应诗人内在节奏的要求,以这个评判的标准探究90年代诗坛的具体作品,对20世纪末现代汉诗的分行的情况作整体地扫描和透视,提出现代汉诗应从传统中吸收营养,以获得新的生命力。

Making pauses, which can express deep emotions for poems, is a very important feature that we can not ignore when studying poetry. Making pauses for poems has made the verse less interconnected. Therefore, the readers can give free rein to their imagination, then the image of the poem seems to be infinite. Meanwhile, making pauses should obey some rules, for instance, embodying the feeling of the poet, conforming to the rhythm of the poem. However, Chinese modern poems in the late 20th century are random, classical, popularized in this aspect, which is complicated and has dispelled the significance and function of making pauses. In this paper, the writer has comprehensively studied the Chinese modern poems in the late 20th century from the aspect of making pauses, analyzed the rules that poets should follow when making pauses, pointed out that Chinese modern poets should assimilate ancient heritage, thus making modern poems more vigorous.